[K] Bildquelle: 2 C Heißdampf-Schnellzuglokomotive mit Rauchröhrenüberhitzer Patent W. Schmidt. Albumblätter für Prinzessin Marie von Sayn-Wittgenstein: arr of opening bars of S.260i or S.260ii; sketch for S.529i or S.529ii, unpublished; score inaccessible (in private collection? in 1859(?). Bunte Reihe (24 Stücke von Ferdinand David): Die Gräberinsel (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha), arr of the song by Ernst II, Duke of Saxe-Coburg-Gotha, Szózat und Ungarischer Hymnus (Szózat és Magyar Himnusz), Spanisches Ständchen (Melodie von Graf Leó Festetics), Er ist gekommen in Sturm und Regen (Lied von Robert Franz), Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden (Fantasiestück nach Adalbert von Goldschmidt), Löse, Himmel, meine Seele (Lied von Eduard Lassen). Auf der Grundlage der vom 11. September 1875), 2nd version of S.89 with different lyrics, 1st version of S.88 with different lyrics, 1st version of S.90/4–6; arr for pf as S.510a, 1st setting of S.89a/4; 1st version of S.90/4; arr for pf as S.510a/1, 2nd setting of S.89a/3; 1st version of S.90/6; arr for pf as S.510a/3, 1st version of S.90/5; arr for pf as S.510a/2, 1st version of S.90/1b, S.90/1c; unpublished, 2nd version of S.90/1a, S.90/1c; unpublished, 1st version of S.90/2b, S.90/2c; unpublished, 2nd version of S.89a/3–5; arr for pf as S.511, 1st setting of S.90/6; 2nd version of S.89a/3; arr for pf as S.511/1, 2nd version of S.89a/5; arr for pf as S.511/2, 2nd setting of S.90/4; 2nd version of S.89a/4; arr for pf as S.511/3, Das Lied der Begeisterung (A lelkesedés dala), 1st version of S.91ii; German and Hungarian text, Das Lied der Begeisterung (Was nützt mir der Erde reichstes Gut). An die ferne Geliebte (Liederkreis von Ludwig van Beethoven): Marche au supplice de la Sinfonie fantastique (Épisode de la vie d'un artiste) de Hector Berlioz, 2nd (simplified) version of 4th mvt from S.470, Marche des pèlerins chantant la prière du soir (de la symphonie d'Harold composée par Berlioz), arr of the "Pilgrims' march" (2nd mvt) from the symphony, Marche des pèlerins – Chantant la prière du soir (de la symphonie Harold en Italie de Hector Berlioz), Valse des Sylphes de La damnation de Faust de Hector Berlioz, Esmeralda (Opéra en 4 actes de L. Bertin), Air chanté par Massol de Esmerelda de L. Bertin, arr of Quasimodo's aria "Mon Dieu! (3) Lieder zu Tannhäuser (Komponiert von Otto Lessmann): 3 Stücke aus der Legende der heiligen Elisabeth: San Francesco (Preludio per il Cantico del Sol), Cantico del Sol di San Francesco d'Assisi, Excelsior! Aus der Musik zu Hebbels Nibelungen und Goethes Faust: arr of extract from the incidental music to, arr of No.2 of part I of the incidental music to, arr of Nos.2 and 3 of part II of the incidental music to, Symphonisches Zwischenspiel zu Über allen Zauber Liebe (Intermezzo von Eduard Lassen). The columns in this list of works are as follows: Deprecated S numbers: An asterisk (*) before the S number signifies that it is no longer in use and the entry has been renumbered; the new number is given in parentheses – refer to the new number's separate entry. Manuscript of cello & piano version in the Mahler Musical Library in Paris since 1991, violin & piano version in private collection since 1935. Performed by Liszt in 1862 and referred to by him (in letters and other writings) as. The unpublished manuscript was identified in the Liszt Museum at Weimar in 1894, and was still present as late as 1901, but as of 1993 its whereabouts are unknown. S.87iii/a, mixed chorus, optional piano (1875?) [J] Gräfin von Saurma-Jeltsch.Das Paar wurde von Oberbürgermeister Jann Jakobs im Trausaal des Stadthauses in Potsdam getraut. Soirées italiennes ((6) Amusements sur des motifs de Mercadante): Réminiscences de Robert le Diable (Grande fantaisie sur des motifs de l'opéra de Meyerbeer): based on Isabella's cavatina from the opera, based on the sailors' prayer from Act III of the opera, based on the Indian March from Act IV of the opera, Fantaisie sur l'opéra hongroise Szép Ilonka, Grande fantaisie sur des motifs de Niobe (Divertissement sur la cavatine "I tuoi frequenti palpiti"), Grande fantaisie de bravoure sur La clochette, based on the main theme of the last mvt of the. Liszt mistakenly thought the original song was by Schubert. The manuscript score for the first 11 pieces is in the "N9 Sketchbook" housed in the Goethe/Schiller Archive, Weimar. Leslie Howard has the titles and other details of the two versions mixed up on the liner indexes and back covers of albums vol.35 (1995) & vol.40 (1996), while the liner notes correctly describe the version being played, and the versions are also swapped in his 2011 Searle catalog in the booklet for the complete set. S.21ii and S.29 were published with reversed titles, S.21ii as "Pater noster II", S.29 as "Pater noster I", and they are erroneously listed as such in some older catalogues. Jetzt online gedenken. Die mittelalterliche Kirche St. Sebald in Nürnberg, auch Sebalduskirche genannt (nach dem wohl im 8. Einkaufen bei eBay ist sicher â dank Käuferschutz. and 303? Verkäufer aus dem Ausland können Ihnen Artikel regulär über einen internationalen Versandservice zuschicken. (2) Orchestersätze aus dem Oratorium Christus: Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn, Pastorale (Schnitterchor aus dem Entfesselten Prometheus), Von der Wiege bis zum Grabe (From the Cradle to the Grave), Epithalam (zu Eduard Reményi's Vermählungsfeier), arr of S.129; Liszt's authorship doubtful, arr of S.185a/10; 1st version of S.613/10, arr of S.185a/11; 1st version of S.613/11, arr of S.185a/12; 1st version of S.613/12, arr of S.186/10; 2nd version of S.612a/10, arr of S.186/11; 2nd version of S.612a/11, arr of S.186/12; 2nd version of S.612a/12, Grande valse di bravura (La bal de Berne), arr of S.225/2; Liszt's authorship uncertain, arr of S.244/18; Liszt's authorshop doubtful, arr of S.244/19; Liszt's authorshop doubtful, Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula, arr of S.353; Liszt's authorship doubtful, Réminiscences de Robert le diable (Valse infernale), arr of S.413; Liszt's authorship doubtful, Adagio von Die Zauberflöte (Der welcher wandelt diese Strasse), Introduction, Fugue, and Andante after Bach, arr of the introduction and fugue from the cantata, Einleitung zur Legende von der heiligen Elisabeth, arr by Liszt and Carl Müller-Hartung of the introduction from S.2, arr of No.8 from S.3; 1st version of S.664ii, arr of prelude from S.6; see also version for org without ch S.268a, Offertorium aus der Ungarischen Krönungsmesse, arr of S.20ii; incomplete sketch as S.701n, Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia, arr by Liszt (and Alexander Wilhelm Gottschalg?) 36-page manuscript score consists of Introduction: Presto a capriccio (C minor) – Chansonette (with variations) – Larghetto religioso – Coda (E major). [U] Works definitely determined as spurious in later updates of the Searle catalogue are included here with details on the true composer. Grundstücke in Franken kaufen - Hier alle Angebote für Grundstücke und Baugrundstücke in der Region finden - immo.inFranken.de. Published 1964 as edited and arranged from the manuscript by violinist. 2002, List of compositions by Franz Liszt (S.1–S.350), Liszt arranged many works by other composers. (b1875?) Stellen- und Ausbildungsangebote in Bamberg in der Jobbörse von inFranken.de September 1875: Magyar király-dal (Ungarisches Königslied), 1st version of S.95ii, S.95iii, S.95iv; unpublished, 2nd version of S.95i, S.95iii, S.95iv; 1st perf this version 1850 Weimar, unpublished, 3rd version of S.95i, S.95ii, S.95iv; unpublished, 4th version of S.95i, S.95ii, S.95iii; 1st perf this version 7 January 1857 Weimar, published 1857; arr for pf4h as S.589, for 2pf as S.635; mvt IV arr for org as S.261a, uses theme from S.159/1; 1st version of S.96ii, S.96iii, S.96iv; 1st perf this version as an Overture to a performance of, 2nd version of S.96i, S.96iii, S.96iv; unpublished, 3rd version of S.96i, S.96ii, S.96iv; 1st perf this version 19 April 1854 Weimar cond Liszt, unpublished, 4th version of S.96i, S.96ii, S.96iii; published 1856; arr for pf4h as S.590, for 2pf as S.636, for pf as S.692l; see also epilogue S.112/3, Overture to S.80a; 1st version of S.97ii, S.97iii, S.97iv; unpublished, 2nd version of S.97i, S.97iii, S.97iv; unpublished, 3rd version of S.97i, S.97ii, S.97iv; 1st perf this version 23 Feb 1854 Weimar cond Liszt, unpublished. [N] ); Liszt's authorship doubtful; orchestrated by Liszt and, lost; possibly the same as S.761 or 1st mvt of S.690, lost; reconstruction by G. Darvos not based on authentic material; Schnapp.81, arr of S.527; Liszt's authorship doubtful, The Fall of Paris, a Military Air with Variations, jointly composed with the child flutist Antonio Minasi (c1815–1870); lost; performed by Minasi and Liszt in London on 5 June 1827, Grand Fantasie on God Save the Queen and Rule Britannia, based on S.98; spurious, now attributed to Leopold Alexander Zellner, but performed 16 Feb 1871 in Budapest by Liszt, Reményi, and others, original version of S.242a; lost, possibly never existed, 3 mvts; lost; Schnapp.5; several bars copied down from memory later as S.692b, 3 mvts; lost; Schnapp.6; only three bars were copied down from memory in a letter from Liszt to his mother, lost, possibly improvised and never written down, arr of S.42ii; discovered, no longer lost (renumbered as ? +Leslie Howard (Hyperion Orchestral Works CDA67856) 2011, +Michael Saffle (The Music of Franz Liszt: Stylistic Development and Cultural Synthesis) 04/2018, +William Wright (The Liszt Companion, Ben Arnold ed.) 10) from the opera, based on Senta's ballad from Act II of the opera, based on the chorus "Heil! Alle Jobs und Stellenangebote in Bamberg, Bayreuth, Coburg und der Umgebung. Buch der Lieder für Piano allein (6 Poésies lyriques pour piano seul) II: arr of S.298i; first draft of S.540c (U23), incomplete draft of S.541/3, arr of S.298i; second draft of S.540b (Z12), incomplete draft of S.541/3, 3rd version of S.171d/8, S.540a; theme used in S.192/2, arr of S.298ii; see S.540b for earlier draft of S.298i, Fanfare zur Enthüllung des Carl-Augusts Monument. Upon subsequent examination of the autograph manuscript dated 3 June 1843 with the correct title (currently in the Liszt Museum, Weimar), it was clearly a later version of S.212 and so reassigned the new number S.212/2 (S.212 becoming S.212/1). 2nd version of S.558; published c1879 by Cranz (with ossias for Nos.4, 5) (with new versions of Nos.3–4, 7–9, 11); 3rd version of S.557a, S.558/4, S.558a/4a, 4th (ossia) version of S.557a, S.558/4, S.558a/4, Der Gondelfahrer – Männer-Quartett von F. Schubert). The manuscript score for all 8 pieces are in the "N5 Sketchbook" (sometimes known as the "Tasso Sketchbook") housed in the Goethe/Schiller Archive, Weimar. (arr of prelude from S.6? Falls ein Verkäufer in den USA oder Großbritannien ansässig ist, kann er das eBay-Programm zum weltweiten Versand (GSP) nutzen. New ICAO-LACAC air cargo liberalization agreement to bolster regional vaccine transport long-term recovery Legend. themes used in S.244/5, 3rd version of S.242a (based on); partly based on S.242/10; simplified version as S.242/13a; see also 4th & 5th versions S.244/15 & S.244c, Nos.18–21 originally scheduled for publication in jan.1847 but never published, themes used in S.244/6, S.244/12; published 1936 as, themes used in S.123, S.244/14; published 1973, No.22 originally published separately in 1847, No.23 originally unpublished, themes used in S.244/9, S.244/14; arr for vn vc pf as S.379, opening based on S.171a/3; 1st version of S.244/1, based on the Hungarian national anthem of the time, the, 3rd version of S.241b, S.242/5, S.243/1a; themes used in S.244/6, 4th (lighter) version of S.241b, S.242/5, S.243/1, 2nd version of S.242/4, S.243/2a; themes used in S.244/6, 3rd (lighter) version of S.242/4, S.243/2, 2nd version of S.242/11, S.243/3a; themes used in S.244/6, 3rd (lighter) version of S.242/11, S.243/3, uses themes from S.242/11, S.244/6; written for, uses themes from S.242/6, S.242/12; arr for orch by Liszt and, uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20, S.243/1, S.243/2, S.243/3; arr for orch by Liszt and, uses themes from S.242/22; arr for orch by Liszt and, 1st version of (ossia) S.244/10a; uses themes from S.242/16, 2nd (easier ossia) version of S.244/10; uses themes from S.242/16, uses themes from S.242/18, S.242/20; arr for orch by Liszt and, uses themes from S.242/21, S.242/22; arr for orch by Liszt and, 4th version of S.242a (based on S.242/10, S.242/13); simplified (easier ossia) version as S.244/15a; arr for orch as S.117, simplified (easier ossia) version of S.244/15, 2nd version of S.244/16i; arr for pf4h as S.622, 1st (coda) version of S.244/18ii, S.244/18iii, 2nd (coda) version of S.244/18i, S.244/18iii, 3rd (coda) version of S.244/18i, S.244/18ii; arr for pf4h as S.623, arr of S.117; 6th pf version of S.242a; simplified version as S.244b, 5th version of S.242a (based on S.242/13). "Heute um 7 Uhr 20 Minuten verließ der erste Balkanzug Berlin." Bewerte Namen. In 5 sections: Allegretto – Andante – Allegro con fuoco – Lento – Vivace, all written in a markedly Hungarian style. Ab sofort werden 3300 Bilder, die in Gesetzen oder Urteilen enthalten sind, dargestellt. The columns in this list of works are as follows: S. â Numbering (grouped, non-chronological) originated by Humphrey Searle in Grove's Dictionary, revised by him several times, later revised by Sharon Winklhofer, and thoroughly revised, updated, and expanded by Michael Short and Leslie Howard. were published in Aug 1849 by Schuberth (Hamburg) as. Only the first 3 pieces (catalogued as S.173b, 173a/1, 173a/2 respectively) were first published in the New Liszt Edition in 1981 from the N9 manuscript, after which they were collectively renumbered S.172a (in the current order), with no other pieces. Finden Sie hier Traueranzeigen, Todesanzeigen und Beileidsbekundungen aus Ihrer Tageszeitung oder passende Hilfe im Trauerfall. Am 15. Harmonie nach Rossini's Carità (La Charité), incomplete sketch for S.552a; originally intended for S.172a, incomplete; manuscript reproduced in July 1998 in an auction catalogue by J. (Gott sei uns gnädig und barmherzig) (Der Kirchensegen), arr for org as S.669b, for pf4h as S.583, for pf as S.504, based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; arr for org as S.669c, for pf as S.506b, arr (setting) of S.161/1 to Ave Maria Latin or German text; arr for org/harm as S.671a, for v 2pf as S.700g, Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn (Was versammelt hier die Menge), arr for pf4h as S.584; beginning and end of the 1st mvt arr for pf as S.507, 1st version of S.69ii, S.69iii; Overture 1st version of S.99; 1st perf this version 24 Aug 1850 Weimar cond Liszt; No.4 arr for pf as S.507a; No.5 arr for pf as S.692e, 2nd version of S.69i, S.69iii; No.4 arr for pf as S.508, for pf4h as S.585, 3rd version of S.70i, S.70ii; themes used in S.114, Gaudeamus igitur (Humoreske, Zur Feier des hundertjährigen Jubiläums der Akademischen Konzerte zu Jena 1870), Das deutsche Vaterland I (Was ist das deutsche Vaterland? "Romance", 2nd version of S.576b, S.577i/a, S.577ii; see also S.167l, 3rd version of S.576b, S.577i, S.577ii; see also S.167l, Autrefois (Romance du Comte Mikaïl Yourievitch Wielhorsky), 4th version of S.576b, S.577i, S.577i/a; see also S.167l. Tienda para mascota online Zoomalia. possibly intended for S.216, S.216b, S.514, or S.515? (Preludio zu dem Glocken des Strassburger Münsters). Unsere Dienstleistungen im Bereich Zahnimplantate. Catalogues and other mentions of these pieces (including recordings) list them differently, in varying combinations of piece numbers and titles (and even keys!) These 4 choruses were composed to benefit the formation of a new Mozart Foundation, and were published as a set by Schott (Mainz) in 1843. Heil! 13; 1st part of Réminiscences only (for 2nd part see S.398); based on themes (mostly the closing sextet) from the opera, Marche et Cavatine de Lucia di Lammermoor, 2nd part of Réminiscences S.397; based on themes (mostly the scene at the tomb) from the opera. (3) Morceaux detachés d'Esmeralda de L. Bertin: arr of "Quoi! This galop (usually referring to this "easy" version) is sometimes wrongly attributed to. [Lyubila ya] (I Loved!) September 1857), Weimars Volkslied (Von der Wartburg) (Zur Enthüllung des Carl August Denkmals in Weimar am 3. arr of an unidentified operatic aria and one sketched variation; incomplete sketch; related to S.701h/2? Diese Bilder haben wir so komprimiert, dass sie platzsparend sind und die geringere Bandbreite bei mobilen Geräten berücksichtigen. Alle freien Wohnungen zur Miete in Franken finden Sie im regionalen Immobilienanzeigenmarkt bei immo.inFranken.de. Some of the sources for the themes haven't be found, and it's even been suggested that the Andantino in A minor is not by Auber (such as the New Liszt Edition, which gave it the "Klavierstück" title), though there is no support given for this claim, other than nobody has found the theme in a piece by Auber; the same could be said for the Prière and even the Introduction. pasted-in by Liszt at the beginning of the album for Princess Marie von Sayn-Wittgenstein, and dedicated to her mother Princess Carolyne von S-W. 4th version of S.97i, S.97ii, S.97iii; published 1856; arr for pf as S.511a, for pf4h as S.591, for 2pf as S.637, 1st perf as the "Overture" to a performance of, 2nd version of Overture from S.69i; 1st perf this version 18 Oct 1855 Brunswick cond Liszt; arr for pf4h as S.593, for 2pf as S.639, arr of S.138; 1st version of S.100ii; unpublished, 2nd version of S.100i; 1st perf this version 16 April 1854 Weimar cond Liszt, published 1856; arr for pf as S.511c, for pf4h as S.594, for 2pf as S.640, 1st version of S.101ii; 1st perf this version as Introduction to a performance of, 2nd version of S.101i; published 1861; arr for pf as S.511d, for pf4h as S.595, 2nd version of 1st mvt of S.690; arr for pf4h as S.596a, for 2pf as S.642, based on S.358a; 1st perf 8 Sept 1856 Pest cond Liszt; arr for pf as S.511e, for pf4h as S.596, for 2pf as S.643, 1st version of S.104ii; 1st perf as an introduction to a private performance of, 2nd version of S.104i; 1st perf this version 2 July 1876 Sondershausen cond, 1st perf 29 Dec 1857 Weimar cond Liszt; arr for pf4h as S.596b, for 2pf as S.645, 1st perf 5 Sept 1857 Weimar cond Liszt; arr for pf4h as S.596c, for 2pf as S.646; extract arr for pf as S.167e; 2nd theme used in S.114, Von der Wiege bis zum Grabe (Du berceau jusqu'à la tombe), 1st version of S.108ii, S.108iii; sketched late 1830s to 1840s, 1st complete draft 1854, complete score finished 1857, 1st perf this version 5 Sept 1857 Weimar cond. It is not known whether the Theme and Variations are either lost, or were improvised by Liszt and never written down, or were by another composer to which Liszt was writing an introduction. 2002, #Michael Saffle (The Music of Franz Liszt: Stylistic Development and Cultural Synthesis) 04/2018, +Michael Saffle (The Liszt Companion, Ben Arnold ed.) Mendelssohns Wasserfahrt und Jäger-Abschied: Festmarsch zu Schillers 100 jähriger Geburtstagsfeier (von Giacomo Meyerbeer), arr of the Festmarsch zu Schillers 100 jähriger Geburtstagsfeier by Meyerbeer, Una stella amica (Polka mazurka de F. Pezzini), arr of an unidentified waltz attributed to "F. Pezzini", Tanz-Capricen No.1 (Einleitung und Coda zu Raffs Walzer), additional introduction and coda to No.1 of the, Ouverture de l'opéra Guillaume Tell de Gioachino Rossini, 3rd (simplified) version of S.552a, S.553/2, sketch for 2nd theme quasi-fugue section of S.555, 2nd version of S.556i, S.556iii; published 1837–38 by Richault (Paris), Le roi des aulnes [Erlkönig] – Mélodie de François Schubert, 2nd (ossia) version of S.557b/i, S.558/5, S.558/5a; published 1838 by Diabelli with S.557b/i, Frühlingsglaube – Lied von Franz Schubert, Ave Maria [Ellens dritter Gesang] – Mélodie de François Schubert, 1st version of S.558a; published by Richault (Paris) (with ossia for No.5), 2nd version of S.557a, S.558a/4, S.558a/4a; arr for orch as S.363a, 3rd version of S.557b/i, S.557b/ii, S.558/5a; re-used as S.558a/5, 4th (ossia) version of S.557b/i, S.557b/ii, S.558/5; published by Richault with S.558/5; re-used as S.558a/5a, 2nd version of S.557d; re-used as S.558a/12. Several catalogues list the composition date as 1838, and a 1st publication in 1838 in Vienna. ); incomplete sketch; probably related to S.125a, Melodie in Dorische Tonart (Prose des Morts), incomplete sketch of the opening of S.158a, incomplete sketches on the same manuscript. [O] 2nd version of S.259; unpublished?, lost? of extracts from S.109, 7th (final harm) version of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, arr of S.172/4 by Liszt and Alexander Wilhelm Gottschalg, arr of S.172/5 by Liszt and Alexander Wilhelm Gottschalg, arr by Alexander Wilhelm Gottschalg and Liszt of No.14 of the, Chor der jüngeren Pilger (Der Gnade Heil), arr of extract from S.4ii; published 2013, Serbisches Lied (Ein Mädchen sitzt am Meeresstrand), arr of the song by Francis Korbay; arr for v orch as S.368/2, Barcarole vénitienne de Pantaleoni (Venezianisches Gondellied), arr of the song by Luigi Pantaleoni (collaborative composition: melody and lyrics by Pantaleoni, pf accompaniment by Liszt), Es hat geflammt die ganze Nacht (Lied der Grossherzogin Marie Pavlovna), arr of the song by Maria Pavlovna, Grand Duchess of Russia, unfinished sketches (611 pages) for an opera based on, unfinished oratorio; extracts used in S.16i, S.113ii, S.518, S.519; fragment arr for pf as S.688a, arr of fragment from S.688; incomplete sketches, incomplete sketches; 1st mvt 1849–50; 1st mvt 1st version of S.102; 5th mvt 1st version of S.703; 1st mvt possibly the same as S.710, sketch; may have been intended for S.690; lost, Grande paraphrase de concert sur God Save the Queen et Rule Britannia (Fantasie sur thèmes anglais), Anfang einer Jugendsonate (Beginning of a youthful Sonata), the first page of S.725/1 (14 bars) copied down from memory in 1880 by Liszt for his biographer Lina Ramann (the original composition was lost), incomplete sketches for No.13 of 48 exercises (No.1 of 2nd series) (with S.136 as the 1st series), simplified arr of S.242a; incomplete sketches, Winzerchor aus den entfesselten Prometheus, arr of No.5 from S.69i; incomplete sketches, based on the Allegro from the Overture to, sketches of Friska to S.695b/6, related to orchestration sketches of S.690d, Petite valse ("Nachspiel zu den drei vergessenen Walzer"), incomplete sketches; intended as a conclusion to the set of 3 waltzes S.215 (before No.4 was composed), 2nd version of S.216b; unfinished draft of new Andantino section added before final bars of S.216b, La mandragore (Ballade de l'opera Jean de Nivelle), arr of "Tant que le jour dure" from the opera, Grande Fantaisie sur des thèmes de Paganini, Variations de bravoure sur des thèmes de Paganini, 1st version of S.79i, S.79ii, S.79iii; pf part incomplete; unpublished, arr of S.151 (by Liszt? ), Das deutsche Vaterland II (Was ist das deutsche Vaterland? The overall title is Liszt's at the head of the first piece, as is the alternative title (with "Préludes et" prepended) given by Liszt in brackets. [M] Nuits d'été à Pausilippe ((3) Amusements sur des motifs de l'album de Donizetti): Réminiscences de Lucrezia Borgia (Grande fantaisie sur des motifs favoris de l'opéra de Donizetti): based on the trio from Act II of the opera, Réminiscences de Lucrezia Borgia de Donizetti (Grande fantaisie en deux parties, "Reduced, with the author's approval, to a single concert piece by G. Buonamici"), based on a theme from Act IV of the opera, Marche funèbre de Dom Sébastien de Donizetti, based on the funeral march from the opera, Grande paraphrase de la Marche de J. Donizetti (composée pour Sa Majesté le Sultan Abdul Medjid-Khan), 2nd version of S.403 ("version facilitée"), Halloh! For the new final chorus, a 10 bar segue replaces the last 13 bars of the original ending. The exact dates for some of the pieces are as given in Liszt's hand on the manuscript. 3288 â 1915. S.24 and S.27 were published with reversed titles, S.24 as "Te Deum II", S.27 as "Te Deum I", and they are erroneously listed as such in some older catalogues. original for solo voice, piano (1857) S.313, [I] Januar bis 21. Beethovens (6) geistliche Lieder von Gellert: arr of the song from the incidental music to. (1875?) Title â Normally ⦠S.87vii, male chorus, optional piano (1873?) (5) Klavierstücke (Album-Leaves for Olga von Meyendorff): based on S.349; re-used as S.205/6, S.205a/6; arr for pf4h as S.614, 2nd version of S.195a; arr for pf4h as S.612, for vc hp pf harm as S.130i, for vc pf as S.130ii, for vn pf (+harm) as S.130iii, 1st (draft) version of S.197; fragments of sketches (reconstructed by Liszt's pupil, 2nd version of S.196a; arr for vc pf as S.131i, for vn pf as S.131ii, in 4/4, written Dec.1882, published 2002; 1st version of S.199a/ii, S.200i, S.200ii; incomplete sketch as S.701k, in 4/4, written Jan.1883, published 2002; 2nd version of S.199a/i, S.200i, S.200ii; incomplete sketch as S.701k, in 6/8, published 1927 as "La lugubre gondola I"; 4th version of S.199a/i, S.199a/ii, S.200ii, in 4/4, written Jan.1883, published 1885, published 1927 as "La lugubre gondola II"; 3rd version of S.199a/i, S.199a/ii, S.200i; arr for vc pf as S.134i, for vn pf as S.134ii, re-used from S.194; 1st version of S.205a/7, Prélude à la Polka d'Alexandre Porfiryevitch Borodine (Variation sur le thème favori et obligé), Waltz (Waltz aus dem Ballet Die Amazonen), Piano arrangement of S.126b/2 (Theme from the ballet Die Amazonen by Robert von Gallenberg), 1st version of S.214/1; themes used in S.209a; arr for pf4h S.615, 1st version of S.212ii, S.213i, S.213ii, S.213iii, 2nd (expanded) version of S.212i, S.213i, S.213ii, S.213iii, Valse de Marie (Mariotte) (Album-leaf for, 3rd version of S.212i, S.212ii, S.213ii, S.213iii, 4th (édition facilitée) version of S.212i, S.212ii, S.213i, S.213iii, 5th version of S.212i, S.212ii, S.213i, S.213ii, with additions for Liszt's pupils, 2nd version of S.215a; arr for pf4h as S.615a, manuscript entitled "4th Mephisto Waltz", but no relation to S.216b or S.696, 1st version of S.219a; arr for pf4h as S.616, 2nd (simplified) version of S.219; theme used in S.220, uses themes from S.167o; 1st version of S.521i, S.521ii; arr for orch by Liszt and, 1st version of S.228ii; arr for orch by Liszt and, 2nd version of S.228i; Trio section uses theme of S.313, Vom Fels zum Meer! This first publication by Ernest Knop (who also wrote the song No.2 is based on) was formerly catalogued by Searle mistakenly as S.155a, believing it was an earlier version of S.156/10–12 published 1842 by Haslinger, and its later revision S.156a. Originally thought to be an Album-Leaf ("Ruhig") and catalogued as such as S.167a. (10) Lieder von Robert und Clara Schumann: arr of No.5 of 'Lieder und Gesänge aus Wilhelm Meister, Provenzalisches Minnelied (von Robert Schumann), Polka de salon (Einleitung und Coda zu Smetanas Polka), Valse-Caprice No.3 (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice), additions and revisions (Introduction and Coda) to, Revive Szegedin! Schwanengesang – 14 Lieder von Franz Schubert: 3rd (ossia) version of S.559a, S.560/7, S.560a, 2nd (ossia) version of S.560/12, S.560b/2, 4th version of S.559a, S.560/7, S.560/7a, written for, published 1842 by Haslinger (Vienna) ("new edn"). S.87i/a, 4-part male chorus [rev.] Extensive Larghetto religioso section is an early version of. Sag Deine Meinung. 1zahnimplantate.de ist auch darauf spezialisiert, eine angemessene Beratung, Bewertung und Platzierung von Zahnimplantaten bei unseren Mund-, Kiefer- und Gesichtschirurgen anzubieten, die getestet und vertrauenswürdig sind.. Ohne längere Wartezeiten können Sie nach ⦠Gebaut v. d. Hohenzollern AG für Lokomotivbau Düsseldorf-Grafenberg. (5) Ungarische Volkslieder (Magyar népdal): based on a song by Lyudmilla Gizycka-Zámoyská; arr for vn pf as S.379b, based on an unidentified Polish melody (also used in S.127, S.249/2); short draft, Соловей [Solovei] "Le rossignol" (Air russe d'Alexander Alabieff), based on the aria "Yo que soy contrabandista" from the opera, Grosse Konzertfantasie über spanische Weisen, 2nd version of S.252c; one theme used in S.254; sketches as S.695c, Grosses Konzertstück über Themen aus Mendelssohns Lieder ohne Worte, 2nd version of S.258i; arr for pf orch by.
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